A Short History of Valentine’s Day

Valentine’s Day has always been celebrated with candy, flowers and greeting cards, some heartfelt and others sappy, right? ??

Well, no…not exactly.

There really was a St. Valentine…at least a dozen or so of them, in fact, depending on whether one consults the lists of martyrs of the Roman Catholic or the Eastern Orthodox Church. The name “Valentine” (or “Valentinus”) is from the Latin word, valens, meaning “strong.”

The simple feast (or Commemoration) of St. Valentine in the Roman Martyrology, the Catholic Church’s official list of recognized saints, has traditionally been February 14th, reportedly the date in the year 273 when Bishop Valentine of the Diocese of Terni (in what is now Italy), was imprisoned and killed in Rome.

The truth behind the legends of this particular St. Valentine is murky, to say the least. In 3rd century Rome, Emperor Claudius II believed that young men who were single, without the encumbrances of wives or children, were more dedicated, so he forbade his young soldiers from marrying. Bishop Valentine defied this decree and continued to perform marriages, a stand that cost him his life.

The first recorded connection of St. Valentine to the concept of “romantic love” was in the poem by Geoffrey Chaucer, Parlement of Foules, in 1382, which was written to celebrate the first anniversary of the engagement of King Richard II of England to Anne of Bohemia, who were married when each was but 15 years old. (Without doing any further research, I’m thinking that might have been an arranged marriage.)

Later writers such as John Donne and Shakespeare (in “Hamlet”) also mention Valentine’s Day. By 1797, a British publisher printed The Young Man’s Valentine Writer, with a number of suggested verses for young lovers who felt they were incapable of composing their own. By the early 1800s, the Regency era in England, factory-produced paper valentines became popular, with fancy ones adorned with real cloth lace and ribbons for those who could afford them. It was also common for friends and lovers of all social classes to exchange handwritten notes and small tokens of affection.

Real lace became paper lace by the mid-1800s. In the United States, a young woman named Esther Howland received an English valentine from one of her father’s business associates in the late 1840’s. Since her father operated a book and stationery store, Esther decided to create and mass produce valentines, using decorations imported from England, and is known as the “Mother of the Valentine.”

Hand-written valentines thus led to greeting cards, which paved the way for Valentine’s Day to become the commercialized, multi-billion-dollar industry it is today. Valentine’s Day is celebrated in the United States, Canada, Mexico, the United Kingdom, France and Australia. Paper cards, e-cards, flowers, chocolates, and even diamonds are now necessary accoutrements each February 14th to go along with those three little words that never seem to go out of style: “I love you.”

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book cover for Healing Two Hearts, a Valentine's Day Romance with an older couple playing chess on a pink-and-white cloth on the grass in a park. A small dog lies nearby. This is Book #3 of the PAWS for Romance sweet romance series of books

Can love be just as lovely…the second time around?

Cardiac nurse Tricia Alderson was heartbroken when she lost her workaholic husband five years ago. She’s now helping her brother and sister-in-law plan their Valentine’s Day vow renewal ceremony and she’s also happy to see two of her nieces in loving relationships. But Tricia believes that new romance is for younger people and she has no expectations of finding love for herself again.

Rone Malloy’s stressful management job in radio ad sales lands him in Tricia’s CCU on New Year’s Eve. Headstrong, and refusing to take his health issues seriously at first, he’s told he’ll have to change his ways or risk another attack, possibly even a fatal one. But old habits can be hard to break.

Rone really wants to see more of Tricia, the pretty nurse with the lovely blue eyes. When he’s offered a promotion that could bring even more stress into his life, will he accept it? And, if he does, after losing one man she loved to workaholism, will Tricia risk her heart a second time?

Author’s Promise: This is a short, heartwarming, contemporary romance with a “happily-ever-after” ending. It’s a clean story with nothing more than hugs and sweet kisses.

London Theatre in Regency Times

Covent_Garden_ Theatre_1809

By the early 19th century, The Industrial Revolution had made England the leading manufacturing and trading nation in the world. In 1800, London was already the world’s largest city, and its population would almost double over the next four decades, to approximately two million.

Large numbers of the working classes, drawn to jobs in commerce and manufacturing, began to attend the theatre for the first time, causing major changes to entertainments formerly reserved for more well-to-do patrons of the arts. Both Covent Garden and the Theatre Royal, Drury Lane, were rebuilt in the 1790’s to accommodate about 3,000 and 3,600 people, respectively. Minor theatres were opened outside Westminster in the 1780’s and 1790’s; then,  in 1804, when the Earl of Dartmouth became Lord Chamberlain, he authorized the licensing of minor theatres inside the City of Westminster, so long as they did not infringe upon the rights of the “patent houses” of Covent Garden, Drury Lane and the Haymarket. He also authorized longer seasons for the Haymarket, which had been restricted to a five-month season and, by 1812, it was open seven months of the year.

Attempting to retain audiences, the patent theatres began to include minor dramas in their offerings and extended the evenings to five or even six hours. By 1820, it wasn’t unusual for the evening’s bill to include two full-length plays, an afterpiece, and a number of variety acts.

Since only the patent houses could play regular drama, along with the minor genres, the other theatres found loopholes offered by the burletta and the melodrama, characteristically a three-act play with a musical score. Thus, regular drama, such as Shakespeare, could be performed in three acts with musical accompaniment and called “melodrama.” This game of ruse and subterfuge continued throughout the Regency and after, until the Theatre Regulation Act of 1843, which abolished the privileges of the patent theatres, and allowed any licensed theatre to perform works of any type, although all plays continued to be licensed by the Lord Chamberlain.

The upper classes might have worn their very best, but otherwise, theatre-going was an informal business, with members of the audience talking loudly and arriving or leaving at any time during the performances. Dandies strolled and mingled in the “pit,” taking snuff and showing off the latest fashions.

Most of the romantic poets of the day attempted drama, including Coleridge, Wordsworth, Keats and Shelley. George Gordon, Lord Byron, who was a member of the governing committee of Drury Lane, wrote more plays suited for the stage than the others, although only one was actually performed during his lifetime (and that one, “Marino Faliero,” in 1821, over his objections).

The best known actors and actresses on the London stage during the Regency included several members of the Kemble family, especially Sarah Kemble Siddons, who was considered the greatest tragic actress of her day until her retirement in 1812. The Kemble “classical” school of acting was continued by Charles Mayne Young (1777-1856), J. M. Vandenhoff (1790-1861), and Eliza O’Neill (1791-1827). Their classical approach was challenged after 1814 by the romantic school, perhaps best exemplified by Edmund Kean. Kean perfected the style, and exerted his “star power” frequently to demand £50 or more for each performance, an amount unheard of before his time. Other well-known performers, such as William Charles Macready (1793-1873) and Mme. Eliza Vestris (1797-1856), later went from the stage into theatre management.